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Theater Review of Legally Blonde by The New York Times

This high-energy, empty-calories and expensive-looking hymn to the glories of girlishness, based on the 2001 film of the same title, approximates the experience of eating a jumbo box of Gummi Bears in one sitting. This may be common fare for the show’s apparent target audience — female ’tweens and teenagers who still believe in Barbie. But unless you’re used to such a diet, you wind up feeling jittery. Laura Bell Bundy sings and dances flawlessly, and she delivers silly lines as if she meant them. But she lacks the quirkiness and irresistible watch-me egotism that a big, heroine-worshiping musical needs at its center. This means that the weight of the show, directed with hyperkinetic effusiveness by Jerry Mitchell, shifts to its feel-good formula. With its pink-dominated color scheme and matching cherry-soda score of ballads of self-empowerment, “Legally Blonde” is infused on every level with the message that it’s O.K. to be a princess. But what about those who don’t appreciate the value of a manicure or a leg wax? — Ben Brantley

Bob Bernstein
CEO eSeats.com